![]() If we can’t beat this, there’s no point in making this movie-and he agreed.” “I showed that to and said this is available for free on the internet. The director had seen Navy pilots use GoPros on their flights, documenting a first-person experience above the clouds that was “better than any aerial footage I’d seen from any movie,” he says. “I wanted it to be a rite-of-passage story for Maverick,” says Kosinski, who tried appealing to his star’s extremist sensibilities by promising to shoot everything practically. During a 20-minute break on the set of Mission: Impossible-Fallout, Kosinski pitched a sequel centered on Cruise’s aging fighter pilot and his strained relationship with his best friend Goose’s son. Three decades later, Bruckheimer and director Joseph Kosinski flew to Paris to convince him they could. “Originally, I wasn’t interested in doing a sequel,” he told Total Film magazine, at least not until technology-and his castmates-could “put the audience inside that F-18.” The disrupted, piecemealed experience stuck with Cruise long after-despite the movie’s eventual massive box office success and canonization as a modern classic, the A-list actor had little desire to revive Pete “Maverick” Mitchell. soundstage, where those actors could settle their stomachs while pretending to fly on a gimbal instead. On a scrappy budget with clunky 1980s technology, an untrained cast, and new studio leadership, filming eventually moved to an L.A. ![]() ![]() “Their heads were down, and when they got their heads up, their eyes were rolling back,” Bruckheimer says. In the middle of shooting Top Gun, producer Jerry Bruckheimer realized he had a huge problem: With the exception of Tom Cruise, all the actors playing Navy pilots kept vomiting in the cockpit. ![]()
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